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2025
4’`20, Video Installation on iPhone
This four-minute video work examines the perception of time through digital compression and sequencing, using GIFs converted from iPhone live images sourced from daily.
The work draws from my work experience producing digital archives, where images often lose function and become data residues.
These digital waste occupy both virtual and physical spaces: my iCloud, my iPhone, hours of working, the income I earn to sustain that system. Confronted by this sense of being instrumentalized and used as a tool within social structures, I reveal the brokenness of materials, the project reflects on how digital labor, file management, and personal devices shape contemporary temporal experience. Editing becomes a form of performance — a method to reorganize residual materials into new temporal and visual relations.
Visibility is vulnerability.
Each cut and sequence becomes documentation of my performance in working with digital material. This video is about the speed of time projected through sequences of compressed video format: Gif. Video footage is from daily captures.
